The 2023 winner of the Marcel Duchamp Prize, Tarik Kiswanson produces sculpture, writing, performance, drawing, sound, and video works. Notions of rootlessness, regeneration, and renewal are central themes in his oeuvre. Always operating at the intersection of different cultural contexts, his various abstract works examine subjects related to memory, heritage, birth, loss and belonging. His oeuvre can be understood as a cosmology of related conceptual families, each exploring variations on themes such as refraction, multiplication, disintegration, levitation, hybridity, and polyphony through their own distinct language.
A legacy of displacement and transformation permeates his works and is indispensable to both their form and the modes of sensing they produce. The artist’s Palestinian family left Jerusalem for North Africa and then Jordan before subsequently settling in Sweden, where he was born in 1986. Over the years, Kiswanson’s artistic inquiry has retained an attachment to the intimate and personal while simultaneously speaking to universal concerns relative to the human condition and to social and collective histories of rupture, loss, and regeneration.
Tarik Kiswanson (b. 1986, Halmstad, Sweden) received his MFA from École Nationale Supérieure des Beaux-Arts de Paris and BFA from Central Saint Martins-University of the Arts London. Recent exhibitions include Centre Pompidou (2023), Bonniers Konsthall (2023), Museo Tamayo (2023), Salzburger Kunstverein (2023), Gothenburg Biennial (2023), M HKA-Museum of contemporary art Antwerp (2022), Hallands Konstmuseum (2022), 16th Lyon Biennial of Contemporary Art (2022), Carré d’Art-Musée d’art contemporain (2021), The Ural Biennial (2019), Performa 19 Biennial (2019), Centre Pompidou (2018), 12th Gwangju Biennial (2018), MUDAM-Museum of Contemporary Art Luxembourg (2017). He lives and works in Paris, France.
The 2023 winner of the Marcel Duchamp Prize, Tarik Kiswanson produces sculpture, writing, performance, drawing, sound, and video works. Notions of rootlessness, regeneration, and renewal are central themes in his oeuvre. Always operating at the intersection of different cultural contexts, his various abstract works examine subjects related to memory, heritage, birth, loss and belonging. His oeuvre can be understood as a cosmology of related conceptual families, each exploring variations on themes such as refraction, multiplication, disintegration, levitation, hybridity, and polyphony through their own distinct language.
A legacy of displacement and transformation permeates his works and is indispensable to both their form and the modes of sensing they produce. The artist’s Palestinian family left Jerusalem for North Africa and then Jordan before subsequently settling in Sweden, where he was born in 1986. Over the years, Kiswanson’s artistic inquiry has retained an attachment to the intimate and personal while simultaneously speaking to universal concerns relative to the human condition and to social and collective histories of rupture, loss, and regeneration.
Tarik Kiswanson (b. 1986, Halmstad, Sweden) received his MFA from École Nationale Supérieure des Beaux-Arts de Paris and BFA from Central Saint Martins-University of the Arts London. Recent exhibitions include Centre Pompidou (2023), Bonniers Konsthall (2023), Museo Tamayo (2023), Salzburger Kunstverein (2023), Gothenburg Biennial (2023), M HKA-Museum of contemporary art Antwerp (2022), Hallands Konstmuseum (2022), 16th Lyon Biennial of Contemporary Art (2022), Carré d’Art-Musée d’art contemporain (2021), The Ural Biennial (2019), Performa 19 Biennial (2019), Centre Pompidou (2018), 12th Gwangju Biennial (2018), MUDAM-Museum of Contemporary Art Luxembourg (2017). He lives and works in Paris, France.
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